Over my holiday hiatus, I was thinking recently about what 10 varietals might define the overall Wine industry in the United States. Would it be defined by which grapes are grown by highest amount of acreage? What about grapes that may not tip the scales in terms of total acreage, but have found themselves to be widespread around the country? Would it be defined by which grapes have had the largest influence in the history of winemaking here? Would it be defined by grapes used to make historical vintages that alerted the Old World to the New?
I haven’t quite finished that list yet, but I will say that Norton, a grape we’ve metseveral times before on The Make America Grape Again Podcast, should qualify for that top ten list. After all, any indigenous American varietal that manages to have its own Riedel Glass is definitely important. This glass, unveiled in 2009 at Les Bourgeois Winery, indicates the importance that Norton has to the wine industry in the American Midwest. As a matter of fact, the vintage we drink in this podcast comes from Les Bourgeois. Kim, a longtime Norton aficionado and friend of mine, has for years been trying to convince me that Norton is actually worth my time and energy to understand, but I have been tragically dubious. She comes from Missouri, where this grape is, unquestionably, the king of the local industry there.
I first became convinced there was something to Norton with our first ever episode, featuring a Norton from Kentucky, but when she brought this vintage over, I was truly smitten. Take a listen, and learn about Norton.
While more famous for being the heartland of country music, Tennessee actually has a thriving wine industry. The Volunteer State is home to one of the largest wine industries in the American Southeast, with just shy of 50 vineyards and tasting rooms. Our wine focus for the state is the White Zinthiana Blush from Amber Falls Winery, located in Hampshire, Tennessee. This wine is made from 100% Zinthiana, which is a cross between the Cynthiana clone of Norton, and Zinfandel, recently released from UC Davis.
This wine, as you may also have guessed from the name, is a Southeastern take on the whole “White Zinfandel” phenomenon of semi-sweet pink wines known as blushes. (A general rule of thumb: pink wines with under 1% residual sugar are labeled as rosé; anything over that tends to get labeled as a blush). Zinthiana is a varietal that I had never even heard of, and it is always fun to meet a new grape; I’m kind of boggled at how to classify it, because while it is technically a hybrid cross, it’s not quite like some of the other hybrid varietals we’ve looked at over the course of this podcast, like those in our previous Iowa episode for example.
The state of Tennessee was home to a reportedly vibrant wine industry in the 19th century that was greatly impacted when that old bugaboo and nemesis, the Volstead Act, was introduced in the early 20th century. However, unlike in much of the Southeast, amateur winemaking and grape growing continued to thrive in the region, which allowed for a renaissance to begin starting in 1980 with both Highland Manor Winery and Tiegs Winery opening in that year. In 1985, the state legislature passed the Tennessee Viticultural Policy act, which greatly assured the stable development of the industry; perhaps this state support is why Tennessee has so many more wineries than most of its neighbors. Like elsewhere in the American South, humidity and associated grapevine diseases are the major challenges associated with viticulture in the region, so many of the varietals grown here are growing French hybrid and native grape varietals, but the state does have some Vinifera varietals grown in higher elevations. So far the only AVA in Tennessee is the small portion of the Mississippi Delta AVA that extends into the southwestern part of the state.
I acquired this bottle from the winery website, myself, for this podcast. We actually acquired two bottles: one for Gary and one for me. If you like this podcast, Gary and I would greatly appreciate it if you rated us on iTunes or whatever podcast app you use, and please do remember that we have a Patreon which can be found at https://www.patreon.com/TheMakeAmericaGrapeAgainPodcast. (I know that I haven’t been terribly good at putting things on Patreon, but I promise I will try harder for season two. Speaking of, while we have indeed completed fifty states, there are still three more episodes coming to wrap up season one, so we are not done yet!)
Iowa may be a state that is associated in pop culture with endless waves of corn and soybeans, but the Hawkeye State has a vibrant wine culture too! Our first wine from this state that we will be looking at is the Iowa Candleglow White, from Tassel Ridge Winery, located in Leighton. The Candleglow White is a non-vintage dry white blend of La Crescent, Brianna, and Edelweiss grapes grown in Mahaska County, Iowa.
We have met La Crescent before during our exploration of the Tectonic from Iapetus Winery, but Edelweiss and Brianna are new varietals to the Make America Grape Again podcast. Like La Crescent, both Edelweiss and Brianna are complex, cold-hardy, French-American hybrid varietals. Both of these varietals came into being as a result of Elmer Swenson, and the University of Minnesota’s cold-hearty grape breeding program. Indeed, the genetic history of these grapes is pretty tangled, as seen in the diagram below.
Growing wine in Iowa is filled with challenges. Warm summer days can create conditions conducive to promote fungal vine diseases, while the extreme cold nights of winter can kill many other grape vines; this is why there are relatively few plantings of Vitis vinifera in Iowa, versus complex hybrids and native American varietals.
There was some viticulture in Iowa prior to prohibition, but records are spotty at best. Prior to 2000, there were only thirteen wineries in the state, and eleven of them were in the Amana colonies, which was a religious communal society which had originated in Germany and settled in Iowa in the 1850s. These wineries benefited by a native wine law which passed after Repeal, which allowed them to sell wines to anyone. It was in the year 2000 when the Iowa Grape Growers Association was formed, and this group wasted no time in creating an action plan for the growth of the wine industry in the state.
The group decided that the three main things which were needed were favorable legislation and basic education relating to viticulture. Within a year, the team had gained the involvement of the Iowa Department of Education involved, along with some basic assistance from Iowa State University. A year later, funding for viticultural research and promotion became a reality with a five percent tax on wine. In 2003, the team created a ten-year plan, with the aid of interested parties, and within a mere four years, 62 wineries had emerged in Iowa.
Today, despite the challenges of growing in the harsh conditions of the high plains, the state of Iowa contains 100 commercial wineries, with more than 300 vineyards that cover approximately 1,200 acres. There are no American Viticultural Areas that are solely in Iowa, but Northeastern Iowa is included within the area covered by the Upper Mississippi Valley AVA.
This bottle was kindly provided to the podcast by Greg Gonnerman of Laramita Cellars, who also guest-starred in this episode. He acquired it from the Tasting Room directly.
Welcome to Episode 47, focusing on a state that I think has one of the best flags in the country: Maryland. In this episode, we will be focusing on the 2017 Vin Doux Naturel from Old Westminster Winery, located in Westminster, MD. This particular bottle was one of three chosen by the winery as part of a #Winestudio event for the month of June. Mind you, all three of the wines involved in the series were fantastic; especially the Cabernet Franc. I’ve also been to their tasting room before and have picked up bottles and cans from this winery specifically for this podcast… which may well still appear in future episodes, or I may just drink them on my own without sharing.
All that being said, the opportunity to review a dessert wine and talk on the podcast about the intricacies of making dessert wines along with the various styles thereof was too good a chance to resist. And so, here we have the 2017 Vin Doux Naturel, a dessert wine made of 100% estate-grown Valvin Muscat (a cross between Muscat Ottonel and the hybrid Muscat du Moulin, for the record) which was fermented with wild yeasts and fortified during fermentation using neutral grape spirits distilled from estate grapes. This particular vintage is made in a way reminiscent of wines coming from the Muscat de Beaumes de Venise AOC in France.
Here, as with the Valvin Muscat from Old Westminster, fermentation is stopped by the slow addition of up to 10% of a 190 proof (95%) grape spirit. This additional alcohol basically slowly kills off the yeast, as most yeasts cannot stand an overly high concentration of alcohol. Port, as well as other similar fortified wines, are also made in this fashion. (Madeira is, too, but is then literally baked in hot steam rooms, or historically on the decks of ships; sweeter sherries are made this way also, but then develop a living coat of yeast known as flor while aging in barrel. I really should find American vintages made in both styles, as they are really fascinating wines to talk about and drink, but I digress.)
One can also create a sweet wine that isn’t fortified by halting the fermentation before completion through chilling the wine to the temperature where yeast goes into stasis, and then sterile filtering. A second way of creating a sweet, desert-style wine is by adding sulfites to the wine at a high enough level where the yeast cannot survive, and then sterile filtering. Sterile filtering is important for the production of sweet wines of this sort, because, without filtering, any yeasts that survive will feed on the residual sugar. This will either make the wine ferment to dry in the tank, or worse: if bottled, the CO2 created by the yeast as a result of fermentation can cause corks to pop or bottles to explode from the pressure.
A final way of making a sweet wine that could qualify as a dessert wine is to back-sweeten the wine after it has finished fermenting to dry with a sugar solution or honey. The TTB classifies a dessert wine as any grape wine containing over 14% but not more than 24% alcohol by volume. Citrus, fruit, and agricultural dessert wines must be further identified as to the fruit that was used.
I’ve rambled a lot about dessert wines here, and how to make them, so I’ll have to be brief about the history of the wine industry in Maryland here. The oldest continuously operating winery in the state is Boordy Vineyards, located in the rural region of Hydes, Maryland. This winery was bonded in the 1940’s by Philip & Jocelyn Wagner. Philip Wagner is one of the most important figures in the history of American wines that you’ve probably never heard of, as he quite literally wrote the first major book on the subject: American Wines and How to Make Them. The book was revised and republished as Grapes Into Wine, and it became the definitive book on winemaking in America for decades.
Old Westminster Winery is much newer in comparison (planted first in 2011, and is rapidly expanding with the acquisition of Burnt Hill), but is part of the rapidly expanding industry in Maryland which now contributes an estimated $50 million dollars annually to the local economy. Today, Maryland has over 40 wineries, and three AVAs thus far: the Catoctin AVA (named for an Algonquin word meaning “speckled rocks”) is located in Frederick and Washington Counties, while the Linganore AVA, part of the Piedmont Plateau, includes parts of Frederic and Carroll Counties. Lastly, the Cumberland Valley AVA we met in passing extends from Pennsylvania into Washington County in west-central Maryland.
As mentioned above, this wine was provided by Old Westminster Winery for the #Winestudio event. As far as I’m aware, this wine is not available to be purchased by the general public yet, but I plan on acquiring another bottle when it does become available.
Welcome to Episode 40 of the Make America Grape Again Podcast, where we explore the Land of Ten Thousand Lakes: Minnesota. Located at roughly the same parallel as Bordeaux, Minnesota has many challenges due to an often bitterly cold climate. That being said, the 2017 Voyageur from Alexis Bailey Vineyard is a vintage which shows that this state can hold its own against all comers. The 2017 Voyageur is a blend of Frontenac, Marechal Foch, and Leon Millot, sourced from the Upper Mississippi River Valley AVA. All of these varietals are complex French-American Hybrid varietals, adapted to cold-weather climates; a topic we discussed a bit at length back in episode 34. It should be noted here that Alexis Bailey Vineyard is home to the oldest planted vineyard in the state of Minnesota, dating back to 1977, and is the second oldest winery in the state.
The climate of Minnesota is harsh, making viticulture difficult. Prior to prohibition, most winemaking in the state seems to have been focused around fruit wines. It can be honestly said that the history of Minnesota wine truly only begins with the work of Elmer Swenson. Indeed, it might be said that without this man, cold-weather viticulture would not exist. Elmer Swenson started to breed grapes in Wisconsin, thanks to an interest in grapes brought on by his grandfather, along with a reading of T.V. Munson’s Foundations of American Grape Culture. On a whim, Swenson brought some of his early hybrids to a field day at the University of Minnesota Horticultural Research Center. This led to him being hired by the department. The first varietals released from this program were in 1977: Edelweiss and Swenson Red. Many more varietals bred and adapted for cold climates have been released since then, including the Frontenac in this blend.
As mentioned above, Alexis Bailey was the first planted vineyard in the state, and also the first to produce a vintage made entirely of 100% Minnesota-grown grapes. Of note also, The Minnesota Grape Growers Association has had a dramatic role in promoting grape growing and winemaking not only in the state but also in other cold-hardy climates. Hosted annually with the support of both the MCGA and the University of Minnesota, the International Cold Climate Wine Competition is the only wine competition solely dedicated to the promotion of quality wines made mainly from cold-hardy grape varieties.
Today, the state of Minnesota has 70 wineries, and two American Viticultural Areas, including the largest in the United States; the Upper Mississippi River Valley AVA. This AVA covers an area almost 50 times larger than Bordeaux in France; a total of 29,914 square miles (77,477 square kilometers) located along the Upper Mississippi River and its tributaries in northwest Illinois, northeast Iowa, southeast Minnesota and southwest Wisconsin. Minnesota’s second AVA is the far more modest Alexandria Lakes AVA, which is also Minnesota’s oldest AVA.
This bottle was purchased online from the winery website, by yours truly. If you like this podcast and want to throw a few dollars into the bottle fund, you can find us on Patreon at http://www.patreon.com/TheMakeAmericaGrapeAgainPodcast, and there are various rewards available for supporters.
Welcome to Episode 34 of the Make America Grape Again Podcast, where we explore the wine scene in New Hampshire through the lens of the 2015 Marquette from Poocham Hill Winery. In this episode, I also have two new guests joining me: Greg Gonnerman, the owner of Laramita Cellars/Chiricahua Ranch Vineyards, and Ginger Mackenzie, owner of the Vino Zona tasting room in Jerome.
One of the main features of this episode is a discussion of the complex genealogy of “complex” French-American hybrids; see the chart of the Marquette family tree below. Furthermore, Greg’s discusses his take on the wine scene in New Hampshire based on first-hand experience, and Ginger also gives us a crash course in decanting wines. Which means… this is an episode you decant afford to miss. (Ha! I slay me.)
According to a chart I recently shared on our facebook page, New Hampshire has 59 bonded wineries, as of December 31st, 2018. Some of these wineries are importing grapes and juices from other viticultural regions throughout the world, or exclusively making fruit wines. The history of New Hampshire wine begins relatively recently, due to the climatic challenges of growing in such a harsh environment; as of now, pure vinifera varietals cannot grow there. But with the breeding of complex hybrid varietals (such as the Marquette featured in this episode) at both Cornell and the University of Minnesota, viticulture has now become possible here.
The first winery and vineyard in the state that records exist for was planted in Laconia, New Hampshire, in 1965. This vineyard, called White Mountain Winery, was later sold and changed names to New Hampshire Winery. Financial problems caused the winery to close in 1992. In 1994, Jewell Towne Vineyards, located in South Hampton opened–it is the oldest still operating vineyard in New Hampshire today. There are no American Viticultural Areas in New Hampshire as of yet.
This bottle was bought by guest Greg Gonnerman from the vineyard itself, and he was kind enough to share it with us for the podcast! I’m really glad he did; this is the best red wine made from a complex French-American hybrid grape so far that I’ve tasted.
Welcome to episode 33 of the Make America Grape Again podcast, where we focus upon the state of West Virginia! The wine for our first WV episode is the Sweet Mountain Spiced Wine, from West-Whitehill Winery, located in South Moorefield. This is our introduction also to one of the oldest styles of wine in the world: spiced wine. While a popular winter drink today, this is a style that also dates back to the Ancient Greeks and Romans, who would also add spices to their wine, both during and after fermentation. This makes a unique and timeless vintage, perfect for heating up on bitter winter nights (like the night of our recording), or even served at cellar temperature.
I was not able to find any viticultural history for West Virginia wines pre-Prohibition, but the post-prohibition history of wine in this state is a bit of a doozy. The first vineyard in the state was planted by Stephen West in 1973, but it wasn’t until 1981 that a farm winery bill was finally passed for the state of West Virginia, after having been vetoed three times previously by the governor at the time, John D. Rockefeller IV. This was because he believed it would be “an abuse of public office to foster the public consumption of alcohol.” Indeed, this bill only passed the fourth time after the state legislature actually overrode his latest veto of the bill! While Stephen West planted his vineyard first, West-Whitehill Winery was actually the state’s second licensed winery.
Today, the state of West Virginia features in parts of three AVAs: the Shenandoah Valley AVA extends from Virginia into the panhandle, while the Kanawha River Valley AVA is located in the watershed of the Kanawha River in West Virginia, between the city of Charleston and the Ohio border. This AVA includes 64,000 acres (25,900 ha) in portions of Cabell, Jackson, Kanawha, Mason, and Putnam counties. The Kanawha Valley AVA is a subset of the larger Ohio River Valley AVA. Currently, there are 11 wineries in the state of West Virginia.
I acquired this bottle while visiting Maryland from Old Line Bistro, which I highly recommend if you’re in the area. We weren’t able to figure out what grape this wine was made from, but are guessing that it was largely a base of Chambourcin, as that seems to be the grape they are planting most at that vineyard site.
A random list of things deleted from this episode to make it fit the time allotted: a brief discussion of the biology of Arrakis, a random Frasier Theme Song karaoke interlude, comments upon the dietary habits of seals, and really bad jokes.
Welcome to episode 28, where we focus on Indiana! Our featured wine for this episode is the Creekbend III, from the Creekbend label of Oliver Winery, located near Bloomington, Indiana. This wine is a blend of barrel-fermented Vignoles and Chardonel, along with some stainless-steel fermented Vidal Blanc. Oliver Winery, as it turns out, is one of the oldest post-prohibition wineries in the state of Indiana, opening its doors in 1972. Oliver winery was founded by Professor William Oliver, who was instrumental in passing the Indiana Small Winery Act in 1971, kickstarting the Indiana wine industry. Today, Oliver Winery is entirely employee-owned, which is pretty impressive considering that it is among the largest wineries east of the Mississippi River in terms of production.
Prior to Prohibition, the wine industry in Indiana was surprisingly fruitful, being the 10th largest state in the country in terms of wine production. In many cases, the wines being produced were hybrid varietals, with Catawba (a grape we have not met yet) being a popular option. It took the Indiana Small Winery Act of 1971 to change the winery landscape, and now the state is a success story; as of 2015 there were 76 wineries in the Hoosier state. Today, Indiana produces about 1.4 million gallons of wine a year and grows approximately 650 acres of grapes, from a variety of French-American Hybrids (such as the three varietals used in vinifying the Creekbend III) to vinifera varietals such as Cabernet Franc and Gewürztraminer. There are also two AVAs in Indiana: the Ohio River Valley AVA (which actually happens to be the second largest wine appellation of origin in the United States, covering 16,640,000 acres of portions of the states of Kentucky, Ohio, and West Virginia, along with Indiana), and the Indiana Uplands AVA, which has 17 wineries totaling around 200 acres under vine. (Oliver Winery is located within this AVA)
In this episode, I am again joined by Megan and James, and we talk a bit about the two major varietals in this wine (Vignoles and Chardonnel), as well as some techniques for white wine vinification: Malolactic fermentation, barrel-fermentation, and sur lees aging. My occasionally crippling dyslexia also shows up as well, as does James’ penchant for bad jokes. Enjoy! (And thank you, Oliver Winery, for including the tech sheets! You have no idea how much that is appreciated!)
This bottle was acquired by yours truly, online through the Oliver Vineyards website.
Delaware is an often overlooked state in the US, but like all states, does have a winemaking tradition. Today’s wine focus is the 2017 Delaware, from Pizzadili Vineyard, located in the town of Felton. This slightly sweet skin-contact white wine is made from 100% Delaware, a grape which is ironically not named after the state at all. (It actually gets its name from a place in Ohio, but you’ll hear about that in the podcast itself.) Delaware is a cultivar derived from Vitis labrusca, in case you were wondering; it is also a grape with a long history in the United States and was historically for making some of America’s first sparkling wines… which is why this is a grape varietal we will meet again on a later episode, mark my words. This is our second “amber” wine of the podcast, as this wine saw extensive skin contact before fermentation began, according to the folks I met in the tasting room.
The state of Delaware lags behind other parts of the Mid-Atlantic states in terms of wineries and vineyards; I was able to visit three out of the state’s five vineyards when I was in the area in November of 2018. The history of viticulture here begins with Swedish colonists in the area who planted grapes and made wine in Delaware as early as 1638. (Yes, at one point Sweden was a colonial empire with American interests!) When the Dutch took over the area in the mid 17th century, they similarly promoted viticulture in the area but found the area more suitable for apple orchards and cider instead. It wasn’t until 1991 when the Raley family sponsored and wrote farm winery legislation (which passed in a near-record two months) that the situation changed. This change in winery legislation allowed for the founding of Nassau Valley Vineyards, which opened in October of 1993. Pizzadili Winery is the state of Delaware’s second oldest winery, opening in 2007. At this time, the state of Delaware has no AVAs.
I acquired this bottle directly from the tasting room for this podcast in November of 2018. Megan joins us again for this episode. Interestingly; she didn’t like this wine while I found it completely fascinating… but you’ll hear more about that.
The smallest state in the US, as it turns out, has a wine industry that rivals some of the biggest states. Rhode Island is about the same size as the Greater Phoenix metropolitan area but has almost three times as many wineries as the capital of Arizona! With 13 licensed and bonded wineries, the state (okay, technically Commonwealth) of Rhode Island has one of the most vibrant winery scenes in New England.
The history of wine in Rhode Island begins in 1663 when KingCharles II of England specifically included wine production among the land uses approved in the royal charter which established Rhode Island as a British colony. As in so many other parts of the United States, the nascent wine industry in the region was wiped out by Prohibition in the early 20th century. The industry picked up again in 1975 with the opening of Carolyn’s Sakonnet Vineyard, located near Little Compton. Half of Rhode Island lies within the Southeastern New England AVA, and most of the wineries found in the state are found in this region, with few exceptions. (Key among these exceptions is Verde Vineyards, which we will hopefully meet in a later episode in season 2 of this podcast.)
The wine we’ve chosen to look at for our first look at Rhode Island viticulture is the NV Gemini Red from Newport Vineyards, which is a blend of 50% Merlot, with varying percentages of Landot Noir (a French-American Hybrid), Pinot Noir, and Cabernet Franc. This bottle was acquired by yours truly on the same trip I acquired the 2014 Cinco Cães for our Massachusetts episode. That episode also happened to be our introduction to the Southeastern New England AVA–in this episode, however, Gary and I focus a bit more on the nature and purpose of wine blends.