Season 2, Episode 10: “New Jersey Wine Tasting With Friends”

Apologies for the long absence. Again, life has gotten very much in the way of things.  In this case, it was a move back to a mountaintop lair in Jerome after some rather gruesome personal trauma… and, well, the original episode I was going to share for number ten was about Tasting Room etiquette…

Which seemed uh, kinda pointless right about now in the midst of Covid-19 when we’re drinking our wines at home.  After some debate and much procrastination, I decided to switch the order of some upcoming episodes, since listening to podcasts is a great way to occupy oneself during these days.  So.. We’re starting up again. Hopefully, there will be some kind of regular schedule again… but life has a rather annoying way of ruining regular schedules. 

In this episode, I hang out with some friends, drinking the wines made by Sal Mannino (@carbonicmass on Instagram), who has been a long-time follower of mine on the ‘grams.  All of these wines were made from grapes grown in New Jersey. Furthermore, these are grapes I never expected to see growing in the verdant lands of New Jersey; all of these are varietals I am much more familiar with here in Arizona. (Well, with the exception of Pinot Noir, that is; I’ve had plenty of fun Pinot Noir vintages from Maryland on northwards to Massachusetts, but I digress… but what else is new there?)

Nick and Ed, over at New Jersey Wine Reviews also tried some of these same wines at a dinner event, as well as a few different vintages that we didn’t get to imbibe; pop on over to their blog and take a look.  Sal Mannino himself joins us just after halfway through the podcast, via phonecall; prior to this, my friends Dina Ribado, Isla Bonifield, and Tracy and Chuck Demsey drink through his wines and give our thoughts and comment on tasting notes and the techniques used to make these unique vintages.

Tracy and Chuck were kind (and awesome) enough to host at their awesome bakery and bottle shop, ODV Wines.  If you are ever in the Phoenix area and need super-cool wines or super awesome pastries, be sure to stop by their spot–tell them Cody the Wine Monk sent you.  I love their shop to pieces, and I specifically recommend her lemon bars. 

Episode 10, Season 2
The gang posing with the wines from Sal Mannino. If you like what you hear, be sure to contact him on instagram for information on how to join his wine club.

 

Season 2, Episode 2: “WTF are tasting notes, anyway?”

I get asked somewhat often, “What are tasting notes, really?” Or rather, to be honest, I get asked: “What am I supposed to be tasting, anyway?”

Well, when you get down to it, you taste what you taste.  Sure, I can help, but really, wine is such a subjective thing that I generally hate to push what I think I’m tasting or smelling onto the drinker I’m with.  This can also make tasting notes (and notes on the aromatic profiles of wine) seem somewhat arbitrary to the beginner.  And that’s okay!

Basically, tasting notes refer to a wine taster’s (or, in some cases, a coffee taster’s!) testimony about the aroma, taste identification, acidity, structure, texture, and the balance of a wine, designed to allow the reader to get an idea of what the experience of imbibing that particular vintage is like. They can get as creative as you like, or as simple as you like.  Often-times, such notes may seem like gibberish, but this Sommelier-speak has a code that isn’t as difficult to translate as beginners think.  In short, what you taste, is what you taste.

These notes are NOT related to what is in the wine or how it was made, usually; these flavors are not added.  The winemakers for this wine didn’t pour in pickle juice during fermentation, for example.  In many cases, they aren’t even the same molecule, but they hit the receptors in the olfactory lobes of the brain in the same way as those flavors in food, drink, or spices do.  Wine Folly has a great article on how to approach writing your own tasting notes which can be found here.

For this podcast discussing Tasting notes, Elizabeth Krecker and I decided to drink the 2014 Sémillon from Dirty and Rowdy Family Winery, based out of Napa Valley, though they source grapes from multiple vineyards across the state of California. This wine is a complex blend of two different styles of fermentation; one on the skins (a.k.a., Amber Wine) and another aged in concrete. Elizabeth and I loved the tasting notes that they used to describe their wines and thought it would be fun to explore what we tasted in this wine versus what the winemakers tasted.  They’ve got a lot of fun wines, and I highly recommend them.

Dirty and Rowdy 2014 Sémillon
The 2014 Sémillon from Dirty and Rowdy Family Wines is not only our stepping stone into a discussion of what tasting notes are but also our first revisit of the California wine industry.

Episode 27: Delaware

Delaware is an often overlooked state in the US, but like all states, does have a winemaking tradition.  Today’s wine focus is the 2017 Delaware, from Pizzadili Vineyard, located in the town of Felton. This slightly sweet skin-contact white wine is made from 100% Delaware, a grape which is ironically not named after the state at all. (It actually gets its name from a place in Ohio, but you’ll hear about that in the podcast itself.)  Delaware is a cultivar derived from Vitis labrusca, in case you were wondering; it is also a grape with a long history in the United States and was historically for making some of America’s first sparkling wines… which is why this is a grape varietal we will meet again on a later episode, mark my words.  This is our second “amber” wine of the podcast, as this wine saw extensive skin contact before fermentation began, according to the folks I met in the tasting room.

The state of Delaware lags behind other parts of the Mid-Atlantic states in terms of wineries and vineyards; I was able to visit three out of the state’s five vineyards when I was in the area in November of 2018.  The history of viticulture here begins with Swedish colonists in the area who planted grapes and made wine in Delaware as early as 1638. (Yes, at one point Sweden was a colonial empire with American interests!) When the Dutch took over the area in the mid 17th century, they similarly promoted viticulture in the area but found the area more suitable for apple orchards and cider instead.  It wasn’t until 1991 when the Raley family sponsored and wrote farm winery legislation (which passed in a near-record two months) that the situation changed. This change in winery legislation allowed for the founding of Nassau Valley Vineyards, which opened in October of 1993. Pizzadili Winery is the state of Delaware’s second oldest winery, opening in 2007. At this time, the state of Delaware has no AVAs.

I acquired this bottle directly from the tasting room for this podcast in November of 2018. Megan joins us again for this episode.  Interestingly; she didn’t like this wine while I found it completely fascinating… but you’ll hear more about that.

Delaware Wine
The 2017 Delaware from Pizzadili Winery is our introduction to the state of Delaware wine. This wine underwent extensive skin maceration prior to fermentation… so I’m calling it a skin-contact white wine.

Episode 16: Vermont

Vermont is the focus of our 16th episode here at the Make America Grape Again podcast.  Barely more than a stub of a Wikipedia page, Vermont so far has only seven wineries, and a very recent beginning, with the first commercial vineyard there being only since 1997.  But boy howdy, have they been running to catch up with the rest; the wine we selected for the first episode examining the viticultural industry in this state has absolutely blown me away.  It is not every day that I meet a wine that can single-handedly make me doubt my commitment to Arizona viticulture, but the 2016 Tectonic from Iapetus Wine (a label from Shelburne Vineyard) has done just that.

The 2016 Tectonic is our vintage introduction to a number of new wine concepts, as well as a continuation of some themes we explored in our last episode about Wisconsin wine. This vintage is an all-natural, skin-contact wine made from a grape called La Crescent.  We touched upon natural wines a little bit in our first California episode; to explore the idea further, these wines can be roughly defined (since there is no official legal definition as of yet) as wines that are farmed as organically as possible, and are made/transformed without adding or removing anything while in the cellar.  The idea is that these wines are fermented using the natural yeast growing on the grape, without any additives or processing aids, and that intervention in the fermentation is kept to a minimum. These wines are not fined, nor filtered, and it can be argued that the result is a wine that is “alive”–still full of naturally occurring microbiology and the truest expression of the terroir of a region possible.

Like the Seyval Blanc we examined in our last episode, La Crescent is a complex American hybrid varietal, and one which is very recent; only developed by the University of Minnesota and released in 2002.  The genetics for this grape look like something out of a Habsburg family tree: with ancestry including Vitis viniferaripariarupestrislabrusca and aestivalis. Saint-Pepin, and a Muscat of Hamburg crossing feature among this grape’s progenitors. (I really wish I still had the genetics diagram I referenced when recording this wine–I lost it somewhere. Alas.)  Also like Seyval Blanc, this grape is a white wine varietal; to make a Skin-contact wine such as the 2017 Tectonic (also known as Amber wines or Orange wines),  the grape skins are not removed from the must, (unlike in as in typical white wine production) and instead remain in contact with the juice for days or even months. As in red wines, these skins provide pigments and tannins to the resulting vintage. This is actually a very ancient style of wine, dating back at an absolute minimum of about 6,000 years in the Caucasus Mountains.

That, in my mind, is one of the coolest things about the 2016 Iapetus: it is made from an ancient style of production for one of the newest-developed grape varietals out there.  I look forward to hopefully trying more wines from this label: Ethan Joseph is doing some pretty cool stuff up there in Vermont.

While I first encountered this wine via a #winestudio event on Twitter, this bottle was provided to me through the kindness of Elizabeth Krecker who purchased this wine for me directly from the vineyard when she visited New England earlier this year.

Vermont episode 1
The 2016 Tectonic from Iapetus wine is, without a doubt, my favorite wine of this podcast so far. There, I said it.