Episode 20: Kansas

Welcome, my friends, to episode 20 of the Make America Grape Again Podcast, which will center around Kansas.  Our wine today is the 2015 Panape Rosé, from BlueJacket Crossing Winery, located in Eudora, Kansas.

This is a wine made from 100% estate grown St. Vincent grapes from their vineyard on site.  St. Vincent was discovered in 1973 in a vineyard in Missouri, growing about 100 feet from where there once had been a row of Pinot Noir. At the time, Chambourcin vines had been growing next to the Pinot Noir. The official parentage of St. Vincent has yet to be established, but it is suspected that this grape is a cross between these two varietals. It was initially named “Stomboli,” due to this varietal’s bright red leaves in the fall and that it was explosively vigorous, but the name was changed to honor the patron saint of the Cote d’Or in Burgundy, St. Vincent of Saragossa.

The fascinating viticultural history and mysterious origins of St. Vincent aside, Kansas provides our main introduction to the major blight across the history of American wine: Prohibition.  Lasting from 1920 to 1933 in America as a whole, Kansas was among the first states to experiment with this trend, due to its location at the center of the growing movement.  This movement nearly killed the industry in the United States as a whole, and many states have not fully recovered as of yet–or are only recently coming out of its shadow.  Today, Kansas has 23 vineyards, totaling about 250 Acres, which is a far cry from the thousands of acres reportedly under vine in 1901, when a work called “The Grape in Kansas” was written by William Barnes.

This bottle was acquired from the winery directly by my friend Tiffany Poth, the Wine Hippie, who also appears in this episode.  Enjoy!

Kansas 1
The 2015 Panape Rosé from BlueJacket Crossing Vineyard and Winery is a fun vintage made of the mysterious St. Vincent grape.

 

 

Episode 19: Arizona

Arizona, as you might have guessed, is the state I call home. It is the state I focus on with my other wine blog and podcast, The Arizona Wine Monk.  With two registered AVAs, a third on the way, and an additional fourth region of growers, Arizona is making some noise in the Arizona wine scene.  In an article by Vogue Magazine (yes, THAT Vogue), the Verde Valley of Arizona was listed as an up-and-coming wine region to visit… even if the two varietals they listed in that article, Zinfandel and Cabernet Franc, aren’t the grapes that Arizona is going to be known for in the long run, let alone in the Verde Valley.

Still, the point is Arizona is getting a lot of press right now. Right now there are about 1,000 acres under vine in Arizona, and as of the last time I checked, about 104 licensed and bonded wineries in the state; this number is increasing steadily. The two AVAs in Arizona currently are the Sonoita AVA, which was Arizona’s first, and the Willcox AVA, which is where the wine in question we will be exploring today is from. (The application for the Verde Valley AVA has been perfected, but has yet to be posted for public comments, or approved by the TTB.)

Say hello to the 2014 Malvasia Bianca from Sand-Reckoner.  Malvasia Bianca, in the opinion of many Arizona winemakers, is our best white grape in terms of reflecting local terroir; it is one of my favorite grape varietals, period.  This grape here in Arizona is known for its intense, aromatic character, which is why I sit with my friend Tiffany Poth (a.k.a. @wine_hippie on Instagram) with a Le Nez du Vin kit and talk about what we mean by wine aromatics and aromas.  We also talk a little bit about lees aging and what that means in wine.  Enjoy!

This bottle was acquired by yours truly from the winemaker himself at the Willcox Wine Country Festival, before the Sand-Reckoner tasting room in Tuscon opened to the public.

Arizona
The intense aromatic character of this 2014 Malvasia Bianca make it a fantastic wine to explore what we mean by wine aromas.

Episode 18: Georgia

It is said that Georgia is a state of mind, but perhaps in actuality, wine in Georgia can be considered a state of confusion! The reason for this, is, of course, the American state of Georgia shares a name with the Republic of Georgia in the Caucasus Mountains, which has a very long history of winemaking going back an absolute minimum of 6,000 years.

The history of winemaking in the State of Georgia, on the other hand, is decidedly recent by this timescale.  While Georgia was an important winegrowing region of the United States in the 19th century (ranked sixth in production among U.S. states by 1900) this state suffered very early on from Prohibition.  The prohibition movement in Georgia took hold in 1907, derailing the industry here until, like so many states, the early 1980’s.

Today, Georgia is the leading producer of wines made from the various Muscadine grape varietals–a type of grape we will eventually meet on this podcast, I promise.  Georgia is also home to two AVAs, the Upper Hiwassee Highlands AVA, a bi-state appellation which covers parts of Cherokee and Clay counties in the southwestern North Carolina; along with Towns, Union and Fannin Counties in northwestern Georgia, and the Dahlonega Plateau AVA, (established in 2018) which covers most of Lumpkin, Dawson, White, Pickens, and Cherokee Counties. This AVA is about 133 square miles in size and includes (at last count) 7 wineries and 8 commercial vineyards totaling just over 110 acres of planted vines.

The wine we are looking at today, the 2011 Propaganda from Frogtown Cellars, comes from the Dahlonega Plateau AVA itself.  This wine is a blend of 57% Merlot, 17% Cabernet Sauvignon, 13% Petit Verdot, and 13% Malbec.  This, as we discussed in the Idaho episode, makes this wine a Bordeaux-style blend, which are often called Meritage blends in the USA–though that’s a subject for a later episode.

(As a tangent, I found myself rather impressed with the list of varietals they’re growing as a whole, incidentally: Cabernet Sauvignon, Merlot, Cabernet Franc, Sangiovese, Tannat, Touriga National, Malbec, Petit Verdot, Nebbiolo, Chambourcin, Teroldego, Norton, Chardonnay, Viognier, Marsanne, Roussanne, Sauvignon Blanc, Sauvignon Gris, Seyval Blanc, Petit Manseng, Vidal Blanc, Greco di Tufo and Muscato.  Dang.  Some of these are grapes we will visit in future podcasts, but I digress.)

This bottle of the 2011 Propaganda was kindly provided by friends Aileen and John, who also form my drinking cohorts for this episode, alongside an appearance from Mark Beres, the CEO of Flying Leap Vineyards.

It’s time for some Pro-Georgian wine Propaganda. Specifically, the 2011 Vintage.

Episode 14: Washington

In Episode 14, we focus on Washington. Washington produces the second largest amount of wine per capita in the United States, after California.  Established in 1984, the Colombia Valley AVA is the largest wine region in the state of Washington. This AVA includes over 11,000,000 acres (4,500,000 ha), of which over 40,000 acres (16,000 ha) are under vine.  Indeed, about 99% of the vineyard area in Washington is under this AVA, and subsequent Sub-AVAs.  (American Viticultural Areas, like some of their Old World Counterparts, can be nested within each other like Matryoshka dolls.)  This particular suite of AVAs has become well known for producing traditional Bordeaux varietals, like Cabernet Sauvignon, Merlot, and Cabernet Franc.

But you know me. (Or, at least, are getting to know me at the very least.) I don’t like to review and look at the common stuff, necessarily. I like to look at the less usual things, when possible. Which is why I chose to look at the 2012 Pinot Gris from Maryhill Winery, instead of, say, a Washington Merlot. (which I do have lined up for the second episode discussing Washington Wines at a much later date).  Gary and I found ourselves extremely disappointed with the 2012 Colombia Valley Pinot Gris, and it is telling that it seems that Maryhill has uprooted their Pinot Gris vines since the production of this wine.  Why is it disappointing?  Take a listen to find out.

(In retrospect, we should have talked more about Pinot Grigio vs. Pinot Gris in this episode, but we ended up far too disappointed in this wine to do that.  Suffice to say, they’re largely the same thing, except not; there are some stylistic differences. Italian-style Pinot Grigio vintages are typically lighter-bodied, crisp, fresh, with vibrant stone fruit and floral aromas and a touch of spice, while Pinot Gris, especially from Alsace, tend to be more full-bodied, richer, spicier, and more viscous in texture, meaning this particular vintage does align more on the Gris side of the spectrum.  And now you know.)

This bottle was acquired by yours truly via Underground Cellar.com

washington wine
The 2012 Pinot Gris from Maryhill Winery is our introduction into Washington wines.

 

Episode 13: Connecticut

Connecticut is the focus of our lucky 13th episode of the Make America Grape Again podcast, centered around the 2015 vintage of the Dry Summer Rosé from Sharpe Hill Vineyard, in Pomford, Connecticut. This wine is a really fun dry rosé with one of the most intense colors I’ve ever seen, made from the American Hybrid varietal known as St. Croix.  We touch upon Hybrid crosses a little in this episode, but the main focus for hybrids will be at a later time.  Gary and I also talk a bit about the Rosé phenomenon, and what sometimes makes a good Rosé.

The state of Connecticut has two AVAs; the Western Connecticut Highland AVA, and part of the Southeastern New England AVA also crosses through the state.  Interestingly, Sharpe Hill Vineyard resides in neither of these two American Viticultural Areas, which shows that you don’t necessarily need to be in an AVA to make stellar wine.  Indeed, Sharpe Hill vineyard is probably the most critically acclaimed, and famous, vineyard in the Northeast, with a host of awards having been won by vintages made by their winemaker, Howard Bursen.  Their most famous wine is probably the “Ballad of Angels,” which will be covered in a (much) later episode.

This bottle was acquired on the vineyard estate in June of 2017 by yours truly.

2015 Dry Summer Rosé
The 2015 Dry Summer Rosé from Sharpe Hill Winery is a really fun exploration into St. Croix

Episode 12: California

Napa Valley Cabernet Sauvignon is probably the grape (and region) that is most associated with California wines to the average consumer and wine drinker. However, there is a LOT more to California wines than Cabernet Sauvignon and Chardonnays which have been buried in oak so much that they may as well be coffins. There are a lot of cool things going on in California Wine that aren’t really talked about, which is why the focus of this episode is the 2016 Pretty Young Thing Cabernet Pfeffer, from Winc. (They usually have some fun and interesting goodies available, so use that link if you want to join in the fun… it gets me some more wine, and gets you some too.  For the record, they are not a sponsor.)

I chose the 2016 Pretty Young Thing Cab-Pfef for a couple of reasons.  For one, it is a wine that can easily induce conversation on several topics, such as the winemaking technique of Carbonic Maceration, and the increasing popularity of “natural wines,” especially in vintages from California. (Just what counts as a “natural wine,” anyway? Which reminds me, I want to give a shout-out to my other new favorite wine podcast: Natural Disasters. I only found out these guys about after recording this episode. They’re hilarious folks, go and listen.)  Gary and I also dabble with the great mystery surrounding Cabernet Pfeffer–namely, just what the hell IS Cabernet Pfeffer?

Also, this bottle was kind of a “Screw You” to the people who are demanding I review a California Cabernet for this podcast.  Here you go.  This is your California Cabernet.  (You didn’t specify WHICH Cabernet, bitches.)

I acquired this bottle with my own cash from Winc.com, and while this bottle is long gone, there is another Cabernet Pfeffer there right now.

2016 PYT Cab-Pfef
The 2016 Pretty Young Thing Cabernet Pfeffer is a lovely introduction in this podcast to the Natural Wine phenomenon… and it’s freaking delicious.

Episode 11: New York

The 2016 Dry Riesling from Empire Estates provides our introduction to New York State in our eleventh episode of The Make America Grape Again Podcast.  This wine is sourced from a number of different vineyards in the Finger Lakes AVA.   With 100 wineries and roughly 11,000 planted acres of vineyards, the Finger Lakes AVA has one of the highest concentration of wineries outside of California.  Indeed, New York as a whole ranks third in terms of grape production (by volume) after California and Washington.

In this episode, we talk a little bit about the history of Riesling, and about the etymology of grape names, which can be a fun, exciting philosophical endeavor.  We also talk about how simplicity can be a very good thing with wine, and why Riesling does not have to be sweet, despite what the few bottles in your grocery store seem to tell you.

From the Tech Sheet for the 2016 Dry Riesling (which we did not have when we recorded this episode, sadly): Harvest occurred over a two-week period from October 6th right up to a major rain event on October 21st; allowing the grapes to be picked at peak ripeness. Each vineyard site was vinified entirely separately to best bring out individual character; from cold soaking decisions, to fermentation style, to storage in stainless steel or neutral oak. After resting through winter and spring, the wines were then blended together and bottled in early summer. The vineyard sites have a mix of mineral soil types ideal for dry Riesling, including: shale & gravel, shale & clay, sand over shale, and limestone & shale.

This bottle was donated for the cause by my friend Nicole Silvestri.

Empire Estate Dry Riesling
The 2016 Dry Riesling from Empire Estate in New York provides our introduction to the Finger Lakes AVA.